

Nanjing! Nanjing! – City of life and death – was not an emotional roller coaster as most films like this tend to be. There was no happiness. There was no point that I felt like jumping for joy. If you know anything about the Japanese “rape of Nanking,” then you know that it was one of the most horrific massacres in recorded history.
Yet, the film didn’t seem to dig deep enough in our emotions – perhaps due to the lack of happiness or hope or even character development (the characters are sort of just there, there is very little change in their character). There seems to be a slight amount of hope in the opening scene, but that quickly fades and the movie continues on a very gray path as the Japanese quickly come in and demolish everything.
The implications of Nanjing! Nanjing! are extremely important. Previous Japan-China war films were very one sided – showing only the Japanese brutality and Chinese determination and nationalism. This film’s main character is actually a Japanese soldier with a conscious. He is appalled by the horrors that his fellow soldiers are inflicting upon the Chinese and even upon their own (the comfort women included Japanese).
A Japanese main character with a conscious to me seems like a director trying to make a change. There has been very little reconciliation between Japan and China since the war, and Nanjing! Nanjing! is the largest step that I have seen so far. To me this film says “Hey Japan, we understand that not all Japanese are evil. There were a lot of bad things that were done, sure, but it’s not impossible to reconcile as long as you show remorse.”
Wouldn’t it be amazing if a Japanese director then made a film in response to this gesture?
One thing that bothered me a little bit about the film is how watered down it feels. I imagine that what really happened in Nanjing is a lot more horrific than anything that is shown in this film. The rapes, the grotesque and perverted murders are all semi-covered up and watered down. There are scenes with bodies and deaths, but none of it makes you turn your head.
My only guess as to why the director chose to take this path was that the underlying point of the film is not to show what everyone already knows – that the rape of Nanking would make any fan of “Saw” cringe – but rather to send that other message: we will not forget, but we can move on.
2 Thumbs up from me. Go see it!
Has anyone else out there seen the movie? What do you think? Did you like it?
If you are interested in China, check out my post on Trust in Chinese Society
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